It's Impossible Lyrics Official Version and Video Guide
Find it's impossible lyrics with official video, songwriter credits and verified attribution. Disambiguate versions and get the canonical Perry Como text.

You search “It's Impossible lyrics”, click the first promising result, and quickly realize the words belong to the wrong artist. Perhaps you meant Perry Como's romantic standard, but the page points to Christina Aguilera's “Impossible” or Kanye West's “Impossible.” Even after finding the right title, punctuation, line breaks, songwriter credits, and video links may differ from one site to another.
That makes a lyric lookup more than a copy-and-paste task. It's a small verification job: identify the song, match the lyric text to the correct recording, confirm the credited writers, and check whether the accompanying video is official. This guide follows that path, with clear cues for disambiguation, canonical text, history, rights metadata, and recording identification.
The same habit helps with any catalog search. A page such as Build a Snowman lyrics may be easy to locate, but certainty still depends on matching the title, artist, version, and source. Use the headings below as a reference map, whether you need Perry Como's recording, songwriter context, or a practical method for checking lyric pages.
Table of Contents
- Introduction to It's Impossible Lyrics and Why Verification Matters
- Which Song Do You Mean Quick Disambiguation Guide
- Canonical It's Impossible Lyrics Reference Text
- Origins and Chart History Behind the Standard
- Songwriter Credits and Verified Rights Holder Attribution
- Official Video Embed and Recording Identification With ISRC
- Why Lyric Pages Disagree and How to Spot the Official Text
- Quick Reference Cross References and Related Resources
Introduction to It's Impossible Lyrics and Why Verification Matters
The phrase “It's Impossible” looks specific, but it isn't specific enough by itself. Search engines match words before they understand your listening memory, so a title-only query can blend songs from different artists, periods, and musical traditions. A reader who remembers a smooth traditional-pop vocal may land on a contemporary track because both catalogs contain a similar title.
The first question should therefore be, which recording are you trying to identify? If your answer is Perry Como, the relevant entry is the English adaptation released in 1970. If you remember a different artist, slow down before reading any lyric block. Artist name, release period, album context, and the sound of the recording are stronger identifiers than the title alone.
Practical rule: Confirm the artist before you trust the words.
A reliable page should also tell you what version it represents. A studio recording, live performance, remix, radio edit, and official music video can be separate catalog objects even when listeners casually call them the same song. A lyric may be correct for one version and still be mismatched to the audio playing beside it.
That's why a careful lyrics library pairs readable text with visible credits, version information, and an official video embed where available. It gives fans something they can sing along with, while giving journalists, cover artists, and rights holders a clearer trail back to the recording and its creators.
The rest of this guide treats Perry Como's “It's Impossible” as the primary reference, while keeping the other similarly titled songs separate. You'll find a quick identification guide, a canonical-text discussion, the composition's Spanish origins, songwriter attribution, ISRC-based recording checks, and a compact reference table. The aim is simple: finish your lyric lookup knowing exactly which song you've found.
Which Song Do You Mean Quick Disambiguation Guide
Before opening a lyric page, compare the clues you already have. Perry Como's “It's Impossible” is a traditional pop interpretation of a composition that began as Armando Manzanero's Spanish-language “Somos Novios.” Christina Aguilera's “Impossible” and Kanye West's “Impossible” are different songs, so a shared word in the title doesn't make their lyric pages interchangeable.

Use these quick cues:
| If you remember… | You likely mean… | What to verify |
|---|---|---|
| A polished romantic vocal standard | Perry Como's “It's Impossible” | Artist, 1970 English release, and the adaptation from “Somos Novios” |
| A modern pop or R&B setting | Christina Aguilera's “Impossible” | Artist and album context before opening lyrics |
| A hip-hop recording | Kanye West's “Impossible” | Artist, era, and the specific release entry |
The title can also lead to older or loosely related catalog references. Search results have surfaced The Chordettes' “It's Impossible” and Shakira's “Loca (It's Impossible)” alongside Perry Como's recording. Those entries shouldn't be treated as alternate lyric versions of Como's song. They're separate works or title references, and each needs its own artist and recording match.
A fast identification habit
Add one or two details to the search phrase:
- Artist name: Search “Perry Como It's Impossible lyrics” rather than the title alone.
- Language clue: If you remember Spanish lyrics, search for “Somos Novios” and check the composer.
- Sound clue: Traditional crooner, contemporary pop, and hip-hop point toward different catalogs.
- Recording clue: Album, release year, or official video title can separate near matches.
This approach also works for unrelated searches. Someone looking for Go Crazy lyrics should identify the artist first, because a broad title can produce multiple results just as quickly.
Don't use a memorable phrase as your only proof. A lyric page may borrow a title, omit a version label, or pair text with the wrong video. Once the artist and work are clear, move to the recording itself. That second check is what turns a plausible result into a dependable one.
Canonical It's Impossible Lyrics Reference Text
For Perry Como's recording, the safest reference is an artist-approved lyric entry tied to the standard studio version. The page should preserve the song's line breaks and repeated sections without combining text from a live performance, a cover, or a transcription generated from an unrelated video.

A trustworthy lyric reference should make three things visible:
- The exact artist and title, Perry Como, “It's Impossible.”
- The recording scope, such as the standard studio version rather than a live or remixed variant.
- The text status, including whether the lyric was supplied or approved by a verified rights holder.
How to read the reference correctly
Keep the text in its original sequence. Line breaks can indicate phrasing, repeated passages, or a change in section, so flattening every line into a single paragraph makes the song harder to follow and harder to compare with an authorized source.
When you cite or discuss a line, identify it by section or opening words instead of relying on a copied block with no context. That matters because unofficial pages can truncate an ending, merge repeated lines, or change punctuation while presenting the result as complete.
A useful check is to compare the lyric page with the recording and its metadata:
- Does the artist match Perry Como?
- Does the audio sound like the standard studio performance?
- Does the page identify the version rather than displaying the title?
- Are the writers and rights information visible?
- Does the video belong to the same recording entry?
A complete lyric is not only a set of words. It's text attached to the correct artist, version, and rights record.
Formatting differences don't automatically prove that one page is wrong. Punctuation may vary between authorized deliveries, while line breaks may reflect editorial presentation. The more serious warning signs are missing sections, unclear authorship, a video for another artist, or a lyric block that doesn't follow the vocal phrasing you hear.
For that reason, a canonical entry should be treated as a controlled reference, not a casual transcription. Fans get a cleaner reading experience, and rights holders retain a clear way to correct text when an approved version changes.
Origins and Chart History Behind the Standard
Perry Como's “It's Impossible” has a cross-language history that explains why the title appears in both English and Spanish catalogs. Mexican composer Armando Manzanero wrote and recorded the Spanish-language original, “Somos Novios,” in 1968. Two years later, Perry Como's English adaptation, “It's Impossible,” carried the composition into a new market and helped establish it as an international standard. The origin and adaptation are documented in the history of “Somos Novios”).

The release sequence matters. The Spanish source composition belongs to 1968, the English recording arrived in 1970, and the major British and American chart results followed in 1971. That timeline shows how adaptation can preserve the identity of a composition while changing the language, audience, and performance context.
The transatlantic performance
In the United Kingdom, Como's recording entered the UK Singles Chart on January 24, 1971, according to the Official Charts entry for Perry Como's “It's Impossible”. It reached No. 4 and remained on the chart for 23 weeks, covering the period from January 30 to July 3, 1971.
The United States story was similarly notable. “It's Impossible” became Como's first Top 10 Billboard Hot 100 hit in more than 12 years, reaching No. 10 in early 1971. It also reached No. 1 on the U.S. Adult Contemporary/Easy Listening chart for four weeks, a result that demonstrates how broadly the recording traveled beyond a single radio category.
| Market or chart | Result |
|---|---|
| UK Singles Chart | Peaked at No. 4 |
| UK chart run | 23 weeks |
| U.S. Billboard Hot 100 | Reached No. 10 |
| U.S. Adult Contemporary/Easy Listening | No. 1 for four weeks |
| Cash Box Singles chart | Peaked at No. 10 and spent 19 weeks on the chart |
The Cash Box performance adds another layer. The record first appeared in mid-October 1970, spent 19 weeks on the chart, including 17 weeks in the Top 100, and continued its late-chart run into February 1971. The combined picture is of a traditional pop vocal record succeeding during the rock era through melody, interpretation, and cross-language reach.
Songwriter Credits and Verified Rights Holder Attribution
Songwriter credit answers a different question from recording identity. The artist who performs a song isn't necessarily the person who wrote its underlying composition, and an adaptation may involve separate contributors for the source work and the English version.
For Perry Como's “It's Impossible,” listings identify Sid Wayne and Armando Manzanero as credited writers. Apple Music displays those names for the recording, while other lyric pages may use different punctuation or formatting. Those small differences are useful clues. They don't automatically indicate a rights dispute, but they do show why a lyric page needs a provenance trail rather than an unattributed text block.
What a verified page should show
A rights-aware entry can place the following information beside the lyric:
- Performing artist: Perry Como.
- Song title: “It's Impossible.”
- Songwriters: Sid Wayne and Armando Manzanero.
- Version label: The specific studio, live, remix, or video recording.
- Review status: Whether the text has been checked and approved.
- Rights context: The identities connected to the lyric and composition.
Getty's rights-metadata guidance emphasizes creator identity and provenance fields so content can be shared and reused with clearer rights context. Music metadata serves the same practical purpose for lyrics. Ownership details support royalty allocation, contractual tracking, corrections, and licensing conversations across services.
Why attribution changes the reading experience
A visible credit lets a reader distinguish a canonical lyric from a user-submitted transcription. It also gives a cover artist or journalist a starting point when they need permission, clarification, or a properly formatted credit line.
Artists and managers who want to understand catalog control can also explore how to become a musician as a broader career resource. The central principle remains the same: a public song page should identify the people behind the work and show how its information was reviewed.
Rights metadata turns a lyric page into a record of responsibility, not just a page of text.
Official Video Embed and Recording Identification With ISRC
A lyric can be perfectly transcribed and still belong beside the wrong audio. The solution is to identify the recording, not only the composition or title. The International Standard Recording Code, or ISRC, provides a standardized identifier for an individual sound recording under ISO 3901.
The ISRC metadata guidance explains that an ISRC should travel with metadata including the title, version title, main artist, duration, type, and year of first publication. Those fields give a page enough context to distinguish a standard studio take from a live performance or another release of the same composition.

Match the lyric to the audio
Use a simple three-part check:
- Read the recording metadata. Confirm the title, artist, version, duration, and year details.
- Play the official video or audio. Compare the performance with the lyric page, including its phrasing and repeated sections.
- Separate variants. Treat radio edits, live recordings, remixes, re-recordings, and music videos as distinct entries where the metadata requires it.
Apple's music-delivery specification requires a unique ISRC for a re-recorded, remixed, or otherwise different track. It also treats the music-video ISRC as separately required. That distinction prevents a common catalog error, where one lyric is attached to an audio recording while the embedded video represents another version.
A well-organized page maps one lyric text to one recording, then links related versions without pretending they're identical. Fans can follow the official video while reading the matching words, and rights holders can update one controlled entry without creating duplicate or conflicting pages.
For artists preparing a release, how to release music offers a useful companion topic. The practical lesson here is narrower: every asset needs the right identity before it's placed next to lyrics.
Why Lyric Pages Disagree and How to Spot the Official Text
Two pages can show different words for the same song because they began with different evidence. One editor may add punctuation, another may preserve delivered text, while a third may transcribe the audio without approved lyrics. Singing makes that last method difficult: held vowels, harmonies, pronunciation, and orchestral parts can blur the words picked up by automatic captions.
A source discussed in its discussion of lyric search ambiguity reports that YouTube auto-captions are only about 30% to 60% accurate for sung lyrics. The range belongs to that cited report, not every recording. It still explains why a reliable lookup should compare the text with the identified performance instead of accepting the first result.
Text delivery is part of the metadata
Lyrics pasted into a description can become detached from the recording they describe. Apple's delivery specification treats lyrics as a formal track-level field, with TTML preferred over plain text, and connects the lyric payload to the track itself.
A rights-managed entry can preserve:
- The approved lyric text.
- Writer and rights-holder identities.
- The recording and version relationship.
- Revision history.
- Review or approval status.
That record works like a library catalog trail. Readers can check who supplied the words, which version they represent, and whether the change received review before publication. For writers considering how approved text is organized, see this guide on how to write better lyrics.
A quick trust checklist
Before relying on a lyric page, check for:
- Artist or rights-holder attribution: The page identifies who supplied or approved the text.
- Recording match: The artist, version, and video refer to the same catalog entry.
- Complete structure: Verses, refrains, and repeated passages follow the performance.
- Clear credits: Songwriters and contributors are visible.
- Review evidence: A status or workflow distinguishes approved text from unverified submissions.
If a page can't tell you which recording its lyrics describe, it hasn't finished the identification job.
Improved transcription tools can reduce mistakes, yet automation does not establish rights or canonical status. Industry coverage discusses systems such as AudioShake and Music.AI within a fast-changing accuracy market, but published text still needs human review when it is presented as official. For an older standard such as “It's Impossible,” artist-approved provenance remains the clearest trust signal.
Quick Reference Cross References and Related Resources
A good reference entry should let you move outward without starting the search again. From the Perry Como song page, follow the artist relationship, the relevant album entry, the songwriter credits, and related works connected to the same composition. That structure keeps the catalog readable for fans while giving rights holders a clear place to correct metadata.
It's Impossible At a Glance
| Field | Canonical Value |
|---|---|
| Primary recording discussed | Perry Como's “It's Impossible” |
| Original Spanish title | “Somos Novios” |
| Spanish source composition | Written and recorded by Armando Manzanero in 1968 |
| English release | 1970 |
| Credited writers | Sid Wayne and Armando Manzanero |
| UK Singles Chart peak | No. 4 |
| U.S. Billboard Hot 100 peak | No. 10 |
| U.S. Adult Contemporary/Easy Listening peak | No. 1 for four weeks |
| Cash Box Singles peak | No. 10 |
The table is a memory aid, not a substitute for the recording page. Use the artist and version fields first, then check the lyric, video, and credits together. If you're researching a cover, return to the composition title and songwriter attribution so you don't confuse a new performance with the original English adaptation.
Artists and verified rights holders have a separate reason to use structured pages. They can claim artist, album, and song entries through ownership verification, manage lyrics and credits in an editor, and send changes through review before publication. Fans can browse indexed artists, recently added works, and featured showcases instead of relying on title-only searches.
For readers, the payoff is certainty. For catalog owners, it's control over the public record. The two needs meet when every lyric is attached to the right recording, credited to the right creators, and presented with a reviewable source trail.
If you're looking for verified lyric text, matching official video, and clear songwriter and recording details, visit House of Lyrics. Use the catalog to confirm Perry Como's “It's Impossible” or explore another artist page with the same verification-first approach.